It’s been nearly two decades since the soulful voice of Van Morrison echoed through Santa Rosa. Now, in 2025, the legendary Northern Irish singer-songwriter is set to return to the city that last welcomed him when flip phones were still in style and streaming music was only a dream. On the surface, it’s a triumphant homecoming of sorts. But beneath the surface lies a pressing question: will fans, old and new, walk away satisfied?
A Long-Awaited Return
Van Morrison, known for timeless classics such as Brown Eyed Girl, Moondance, and Into the Mystic, has rarely graced the stages of small- to mid-sized American cities in recent years. His tours have typically gravitated toward major markets like Los Angeles, New York, and London. But in a surprise announcement earlier this year, Morrison added Santa Rosa to a limited string of North American tour dates — a city he hasn’t visited since the early 2000s.
The show, scheduled to take place at the Luther Burbank Center for the Arts — an intimate venue that holds just over 1,600 people — sold out within hours. For many fans in the North Bay region, it’s a once-in-a-generation opportunity to see the elusive artist up close.
“It’s surreal,” says longtime Santa Rosa resident and Morrison superfan, Catherine Wills, 63. “I never thought I’d see him here again. The last time he came, my kids were in middle school. Now I’m bringing my granddaughter.”
The Enigma of Van Morrison
While Morrison’s music is beloved by millions, the man behind the microphone is famously private and often polarizing. His stage demeanor can swing from magical to moody. Some nights, he delivers transcendent renditions of his hits; other nights, he avoids his most famous songs entirely, opting for deep cuts or recent material.
This unpredictability is part of the legend — and part of the concern. In the years since his last Santa Rosa appearance, Morrison has garnered attention for his outspoken views on everything from pandemic restrictions to the state of modern music. His 2021 album Latest Record Project, Volume 1 surprised critics with its pointed lyrics and contrarian stance. Some fans applauded his courage; others distanced themselves from the controversy.
Still, even his critics admit that when he’s “on,” there are few performers alive who can match the emotional depth of a Van Morrison show.
A Diverse Crowd, A Shared Expectation
Ticket holders for the Santa Rosa show represent a wide demographic. Boomers who grew up with Astral Weeks and Tupelo Honey sit side by side with Millennials who discovered Morrison through curated Spotify playlists and the Almost Famous soundtrack.
Brian DeWitt, 32, says his love for Morrison’s music began during long road trips with his father. “My dad had a whole CD binder filled with Van Morrison albums. I thought it was boring at first. Then I heard Into the Mystic, and I was hooked.”
For DeWitt, and many others, the hope is that Morrison will dip into the nostalgic well of hits that made him famous. But others are more open-minded.
“I’d love to hear the classics, sure,” says 47-year-old Andrea Nelson. “But I’ve seen him before — back in 1998 in San Francisco — and he did mostly newer stuff. I actually liked it. His voice is still powerful, and the band was tight.”
A New Band, A New Sound?
Morrison’s current touring band features a mixture of long-time collaborators and new session players. According to recent reviews from his London and Dublin shows earlier this year, the ensemble leans into blues and jazz interpretations of his catalog. There’s more saxophone, more upright bass, and extended instrumental solos that sometimes stretch a five-minute song into a ten-minute spiritual exploration.
This approach might be music to the ears of jazz and blues aficionados, but casual fans expecting straightforward renditions of Domino or Wild Night may find themselves bewildered.
Even so, Morrison has been known to surprise audiences. At a recent concert in Boston, he opened with a rousing version of Gloria, then followed it with a stripped-down, acoustic Madame George — a rare treat that brought many to tears.
Could Santa Rosa be treated to a similarly inspired set?
The Question of Satisfaction
Which brings us back to the central question: Will fans be satisfied?
The answer, like Morrison himself, is complicated.
If satisfaction means hearing note-for-note versions of his greatest hits in a greatest-hits-style concert, fans may need to adjust their expectations. Morrison has never been one to pander or play to the crowd. In many ways, his live shows are reflections of where he is artistically in that moment — not where his audience wants him to be.
But if satisfaction is found in witnessing a living legend who still performs with passion, creativity, and a refusal to become a nostalgia act, then the Santa Rosa crowd may be in for something unforgettable.
“He’s like a jazz player in a rock star’s clothing,” says music journalist Daniel Kim, who has covered Morrison’s tours since the 1980s. “He doesn’t play for applause. He plays for the music itself. If you go in with that mindset, you won’t be disappointed.”
The Magic of the Moment
At this stage in Van Morrison’s career — now in his late 70s — every concert carries the weight of finality. This could be the last time he plays Santa Rosa, or California, or perhaps even the U.S. That sense of urgency will likely elevate the evening into something more than just a concert.
It will be a shared experience across generations. A communion of strangers bound together by the gravelly voice of a poet, the rhythm of a bygone era, and the hope that for one night, the music really will carry us into the mystic.
As the lights go down and Morrison steps onto that Santa Rosa stage, all eyes will be on him. And in that moment, fans won’t be wondering if they’ll be satisfied — they’ll just be grateful they were there.
